[55] Leonard Barkan in contrast the posture of Michelangelo's marginalia self-portrait to the Roman sculptures of Marsyas Bound while in the Uffizi Gallery; Barkan even more connects the flayed Marsyas with Michelangelo's purported self-portrait decades afterward the flayed skin of St Bartholomew in his Past Judgment but cautions that there's https://topantoto38261.theideasblog.com/26596706/an-unbiased-view-of-topan-toto